Why Ming-style furniture is popular all over the world?

Where does the charm of Ming-style furniture span time and space come from? When we are enamoured with Ming-style furniture, what kind of aesthetic we are enamoured with?

This traditional art form from the East has resonated with modernist aesthetics.

The enchanting Ming-style furniture refers to furniture products that are beautifully crafted in the early Ming and early Qing dynasties. They are like a perfect proportion of style, style, and work. With its simplicity, elegance, subtlety, and ingenuity, they have become an artistic form with oriental aesthetics.

The artistic position of Ming-style furniture was first established in the West.

In 1944, the German scholar Gustav Ike wrote "Chinese Rosewood Furniture Photo Exam", which collected and mapped a group of excellent examples of Chinese hardwood furniture and became the beginning of modern and contemporary Ming style furniture research.

"It is completely disguised and shows a pure beauty and respect for the material."

"Create a simple and graceless extraordinaryness"

Ike describes the Chinese hardwood furniture represented by Ming-style furniture in his book. It is this book that has enabled the world to discover Ming-style furniture that is “as enigmatically perfect”, which has opened up the collectors’ pursuit of it. The furniture industry, architecture, cultural heritage, interior design, and history circles have paid attention to it. .

Since the publication of Wang Shizhen’s Ming-style furniture appreciation in 1985, Ming-style furniture has been really buzzing at home. This is the first Ming-style furniture monograph written in Chinese.

Four years later, Wang Shiyi built a basic system for related research with a study of Ming-style furniture with nearly 300,000 words and 700 pictures.

Through its analysis and induction, the appearance of Ming-style furniture was first presented to the people in a complete and systematic way. It was first divided into categories, and the varieties and the same variety of utensils were arranged. Starting from the most basic shapes, it changed from simple to colorful. body.

The fine works of Ming-style furniture listed in the book, "16 Things," such as concise, honest, dignified, and Shen Mu, have long been an important criterion for people to appreciate Ming-style furniture.

Since then, the study and collection of Ming style furniture has entered an unprecedented peak.

It is not accidental that Ming-style furniture is fragrant. From the scholars' point of view, the wisdom of predecessors condensed in Ming-style furniture, the implication of simplicity and simplicity, and the aesthetics of modernism, especially minimalist aesthetics, all resonate with each other. Both are pursuing a fresh, elegant, scientific and practical design. thought.

For example, on the shape, Ming-style furniture emphasizes the beauty of the lines, with the curves and straight lines to create a coherent interspersed outline of the body space, full of philosophical charm, bending and turning more practical starting, generous decent.

Wang Shih-chieh had such a description when he was appraising a four-headed armchair in the Ming Dynasty:

"If you look from the side of the chair, you can see the curve of the human body from the hip to the neck."

Another example is color and materials, Ming-style furniture is often the choice of high-quality wood such as rosewood, emphasizing the simplification of the use of materials, make full use of the material texture of the material itself to restore the beauty of the material.

The reasonable structure even makes Ming-style furniture rich in the beauty of science and technology.

In this regard, collectors Ma did not give two cases - one case is a chair, the lower half and upper half pay attention to a piece of wood to do, the advantage is strong and not easy to loose; another example is the case of furniture, regardless of the internal structure of the plug Shoulders or clips have a tendency to become tighter and tighter, commonly known as "every year".

In fact, these aesthetics are also quite in line with modern aesthetic trends. Many collectors have found that Ming-style furniture is still comfortable and harmonious in modern space, and it can even withstand various fashion changes.

An Siyuan displayed a lot of Ming-style furniture in his “Fiveth Avenue” mansion in New York City. He was amazed by the arrangement of Eastern and Western cultures, classical and modern cultures.

More than the beauty of artifacts is worth paying attention to, is the implicit attitude and humanistic spirit.

The spacious atrium is supported by two rows of tall pillars; the left and right sides, or the east and west sides are purlins separated by timber from the cabinets, with soft silk curtains hanging behind them. There are wallpapers on the walls and cylinders. Ground polished black bricks. With this dark background as a backdrop, the placement of furniture obeys the regularity of the layout.

The amber or purple color of rosewood furniture is in tune with the faint and soft colors of the precious carpets and mats or embroidered satin chair cushions.

The calligraphy and painting scrolls were carefully arranged throughout the interior, and blue-and-white porcelain or bronzes that had been green for a long time were placed on the base of the red paint. The papery window of the paper paste blocks the glare of the day.

At night, candlelights and corner lamps merge various colors into a wonderfully coordinated glow.

In the book “Chinese Rosewood Furniture Test”, Ike describes in detail the home environment of the Ming Dynasty furniture, which in fact implied such a representative information - when many people are enamoured with Ming-style furniture, they are not just enamored. The beauty of pure artifacts also includes the poetic life of their masters, Chinese traditional literati.

Ancient Chinese literati, such as qinqi, calligraphy and painting, poetry, and tea and liquor, have cultivated their minds and cultivated their sentimental lifestyles as the voice-overs of Ming-style furniture.

For example, Xiang Xiang was born after the literati had burned incense and smelled the elegant tastes. It was small and lucid, and had long and slender "legs." Another example is the article, which is mainly used to decorate vases and other ornaments in the hall or at the entrance.

Some researchers pointed out that the aesthetics of the infiltration of Ming-style furniture inherited the tradition of ancient Chinese literary aesthetics and was intriguing. It is not a kind of extravagant and stimulating aesthetic pursuit, but it is regarded as a model work of Ming literati life aesthetics.

It is not difficult to find out that the Ming-style furniture, which is a daily sitting and sleeping instrument, does not aim at relaxing the body. Instead, it constantly reminds people of the correct posture and thus guides people's spiritual introspection.

Take the example of the most representative Ming-style furniture, the circle chair, which has a large area of ​​chair and tray, which is not conducive to the back of the back, and people cannot sit in a relaxed posture, let alone "Ge You lying."

This is actually the original intention of the chair design, the focus of gravity falls on the thigh rather than buttocks, people need to sit. So constructed, but quite in line with the human body structure, the entire thigh with the buttocks to support the body, reduce the weight of the spine to bear the head and maintain the integrity of the spine.

In such a chair, people can sit for a long time and feel comfortable and quiet.

In the eyes of experts, this subtle spiritual pleasure revealed in Ming-style furniture is worthy of people's admiration.

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